Photos: David Renault and Mathieu Tremblin, Les Frèrers Ripoulain, Human Hall of Fame, 2010, Nantes France, Walking Graffiti – Sandwich Boards for Collective Art Making
“David Renault and Mathieu Tremblin work together as Les Frères Ripoulain and their partnership seeks to address issues that they describe as ‘vandalism and anonymity, space and solitude, silence and invisibility, strangeness and secrecy…[What interests the artists is the classical graffiti tag]…not the tag’s status as ornament or decoration, but its relationship with territory—its role in the acquisition and stealing of space. Tags can be seen as the diametric opposite of commercial advertising whereby people buy space to publicise the product they want to sell.” (Reference: The World Atlas of Street Art and Graffiti by Rafael Schacter)
Janet Cardiff and George Bures Miller, Video Walk
Produced for dOCUMENTA (13), Kassel Germany.
Walking is finding an impromptu studio in a place you never expected. Marking territory. Remembering. Picking up things. Making eye contact. A walk is never the same twice. Writing notes to self. Losing one’s way. Talking to yourself. A chat with a stranger. Going with the unexpected. Being surprised at what you find. Marking the journey with objects, the milestones of moments. Unexpected encounters. The desire to be caught up in a new situation. Be somewhere different. Revisiting the past. Caught up with what’s going on. Making do. Taking the long way home. Getting as far away from home as possible. Being curious. Nonchalant. Indecisive. Having a route mapped out. Going off course. Letting things happen. Every so often taking a rest. Time-out. In between places. Both lingering and counting steps. Not knowing what’s around the corner.
Wanderlust by Rebecca Solnit Quotations
“Walkers are ‘practitioners of the city,’ for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.”
“Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world.”
“When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one of the best ways of exploring the mind, and walking travels both terrains.”
Link to Article:
“Stories from the Walking Library” by Deirdre Heddon Misha Meyer in Cultural Geographies.
Photo: Gustavo Ciriaco, “Here Whilst we Walk”
“Inspired by the long tradition, which links walk to the production of thought and awareness, the artists Andrea Sonnberger and Gustavo Ciríaco take the public for a silent walk using as device a big rubber band. The two performers start a journey through the city, investing on the possibilities of inhabiting the urban space through another politics of sharing and of perception…A contact in displacement where the place shall always be moving and moved.” (Gustavo Ciriaco and Andrea Sonnberger)
Our Story of Resistance by artist Vickey Curtis
Vickey Curtis is a spoken word artist. Her performance A Rose By Any Other Namespoke the language of street harassment in the course of a walk from the Spire to Rathmines in Dublin. Read a witnessing of her performance that was part of the Dublin Live Art Festival 2016 in:Action/Irish Live Art Review.
Canadian artists Shawn Micallef, James Roussel and Game Sawhney, showcase the power voices carry to define places. They record personal stories about neighbourhoods and city streets. Murmur broadcasts oral histories for others to hear within everyday walking routes. The video above is a Ted Talk by Shawn Micallef examining the urban/suburban divide in Toronto.
Kathy Prendergast, City Drawings, London, 1997 Photo Source: Kerlin Gallery, Dublin, http://www.kerlingallery.com
“The map no longer offers itself as a narrative, or indeed as an interpretative tool, but is instead transformed by drawing into a zone of the imagination. This practice relates as much to a long history of artists using map images as a way of accessing states of mind and the unknown as it does to conventional map making” Reference, Frances Morris, Tate Britain, “Prendergast: City Drawings.”
Photo Credit: Natalia Klishina
DESIRE LINES: CHOOSING TO WALK AWAY FROM AN ESTABLISHED ROUTE. A PERSONAL CHOICE. A CHANCE TO IMPROVISE AND BE INVENTIVE. SOMETIMES CALLED SOCIAL TRAILS, THEY ARE A WAY TO BE WITH OTHERS WHO HAVE ALSO DECIDED TO VEER AWAY. CONSIDERED A FORM OF DISOBEDIENCE, A SOCIAL CONSENSUS, AND A WAY TO BE MORE EFFICIENT IN PUBLIC SPACE, DESIRE LINES ARE DRAWN WITH SELF-DETERMINATION AND AGENCY—”DRAWINGS WE HAVE LIVED.” (GASTON BACHELARD, THE POETICS OF SPACE).
Photograph: Richard Long, A Line Made by Walking, 1967.
Photos Above: The Art of Walking—artworks created on a footpath beside Castletown River, Co. Louth, Ireland and a young participant creating a line while walking. The walk was an intergenerational collective of walking artists of all ages. Participants created artworks from natural collections which were left on footpaths, and made artworks with imprints from flowers and botanical finds.
“Last Friday, I toured the streets of Vancouver blindfolded, guided by a woman I’d never met before – and had never seen. Do You See What I Mean? is a work of one-on-one theatre created by Lyon, France-based choreographers/artists Martin Chaput and Martial Chazallon, whose company Projet in situ describes the work as “the choreography of participation.” They’ve mounted the piece – tailored for each place – in several cities, including Montreal; it’s now in Vancouver, as part of the PuSh International Performing Arts Festival.
This was a rare moment: when my thoughts drifted beyond what was directly in front of me. During the tour, you are totally focused on your experience and its implications. You’re not checking your phone, you’re not casing the room, you’re not thinking about anything other than the steps you’re climbing, the lavender pastry you’re tasting, the exchange you are having with your guide. Your mind does not wander at all. At least mine didn’t – and that is a feat for me. I didn’t – couldn’t – take a single note. But I remember everything. Do You See What I Mean? is set firmly in the world we’re already in, but have long forgotten to notice. We become intrigued again with the streets we walk every day” (Extracts by Marsha Lederman, ‘Why I Walked Blindfolded in Vancouver for Two Hours’)
Photo: A walk in a forest art therapy studio
Walking Artists to Discover
Richard Long, Hamish Fulton, Alec Finlay, Marina Abramovic, Chris Drury, Mike Collier, Brian Thompson, Tim Brennan, Tim Robinson, Julian Opie, Bruce Nauman, Melanie Manchot, Richard Wentworth, Francis Alÿs, Janet Cardiff, Atul Bhalla, Simon Pope, Sophie Calle, plan b, Wrights & Sites, Dan Holdsworth, Rachel Reupke. Joe Bateman, Brendan Stuart Burns, Rachael Clewlow, Sarah Cullen, Bradley Davies, Tracy Hannah, James Hugonin, Tim Knowles, Pat Naldi & Wendy Kirkup, Ingrid Pollard, Bryndis Snæbjõrnsdóttir & Mark Wilson, walkwalkwalk, Jeremy Wood, Catherine Yass, Carey Young.